展讯Notice

 

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机构的推荐

Recommendations of Institutions


李汉威,陆博宇  

没顶画廊(上海)

孙文浩,文皆俊杰,杨洋  

广州画廊(广州)

邓悦君,金亚楠,刘国强,人民比特(小组)  

想象力学实验室(杭州)

龚胥耀,蒋春林,王子芸  

腾挪空间(广州)


Li Hanwei, Lu Yubo

MadeIn Gallery (Shanghai)

Sun Wenhao, Wen Jie Junjie, Yang Yang  

Canton Gallery (Guangzhou)

Deng Yuejun, Jin Yanan, Liu Guoqiang, RMBit (group)  

Imagokinetics Lab (Hangzhou)

Gong Xuyao, Jiang Chunlin, Wang Ziyun
Sabaki Space (Guangzhou)


展期 Duration

2020.5.24 - 8.10

周二 TUE - 周日 SUN 

10:00 - 22:00


地址 Address

深圳市南山区白石路东8号欢乐海岸购物中心F3蓝楹坊11栋,盒子空间

Boxes Art Space, Building 11 Lan Ying Fang, OCT Habour Shopping Center, East 8 Baishi Road, Nanshan District, Shenzhen


主办:OCAT欢乐海岸展区 • 盒子空间

统筹:广州美术学院油画系策划组

顾问:中山大学艺术文化创新与发展研究中心

支持:深圳华侨城股份有限公司

鸣谢:深圳华侨城欢乐海岸


Sponsor: OCAT Shenzhen OCT Harbour Exhibition Site · Boxes Art Space

Coodinator: Curating Group of Oil Painting Department of GAFA

Consultant: Institute of Art and Cultural Innovation Research and Development, Sun Yat-sen University

Support: Shenzhen Overseas Chinese Town Co., Ltd.

Thanks to: Shenzhen OCT Harbour






孙文浩  Sun Wenhao


家乡和都市间的疏离淡漠给了他养份,衣锦还乡可能是他的口头禅,他会在嬉笑怒骂中找到该有的创作快感。


nourished by the alienation between his hometown and the city, with returning hometown with glory as his mantra, will find his pleasure of creation amid laughter and swearwords.


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威尼斯商人-高纯度提炼版 

Venice Merchant (High-refined Version
综合材料  Comprehensive materials  
尺寸可变  Variable size  2020


孙文浩,1987年生于中国南阳,2008年曾就读于广州美术学院油画系,现生活工作于广州。孙文浩的作品内容多与产生于日常身边的生活场景、每日新闻、微信朋友圈等有关。他将这些从生活深处日日相处的题材加以独特的戏剧性绘画语言、乡土诗歌的叙述方式,以平面化的绘画视角、艳丽的色彩,展现他面对社会阶层问题和社会压力下的艺术家生存的呐喊。

孙文浩的个展包括:“资本主义新农村与母亲的调查报告”,广州画廊,广州,中国(2019);“明星影片公司”,要空间,上海,中国(2018);“出租屋让艺术有了未来”,你我空间,广州,中国(2018);“南亭-广州-深圳下一站巴塞尔”,广州画廊,广州,中国(2017);群展包括:“投石卜路”,要空间,四川,中国(2019);“塑性记忆:来自中国的当代录像艺术”,匹斯堡大学美术馆,美国(2019),“卡拉卡拉大浴场”,广州画廊,广州(2019);“尴尬:,香格纳M50,上海,中国(2018);“朋友圈+文化馆线上艺术计划展”,OCAT上海,上海,中国(2017);中美交流展,RULE画廊,丹佛,美国(2017)



Sun Wenhao, was born in Nanyang, China, in 1987. Enrolled in the oil department of GAFA in 2008, currently based in Guangzhou. Sun’s artworks refer to his ordinary living experience, daily news, and a Chinese most popular social application platform - Wechat Moments, etc. His dramatic and humorous visual language attributes to his poetically agrestic representation, monster-like abstracted form, flatten perspectives, and brilliant color palettes. His artworks also illustrate the voice from artists facing the issues of social class isolation and incredible social pressures in China. 

Sun Wenhao’s solo exhibition include: “New Capitalism Countryside and Mother’s Survey Report”, Canton Gallery, Guangzhou, China (2019); “Star Film Company”, Yell Space, Shanghai, China (2018); ‘Rentals Make Art A Future' - When Studio Become Gallery, Niwo Space, Guangzhou, China (2018); “Nanting-Guangzhou-Shenzhen-Next Basel”, Canton Gallery + Shenzhen 33 Space, Guangzhou, Shenzhen, China (2017); selection of group exhibition: “Fortunate Art Stone”, Yell Space, Sichuan, China (2019); “Materializing Memory: Contemporary Video Art From China”, University Art Gallery Frick Fine Arts Building University of Pittsburgh, America (2019); “Bath of Caracalla”, Canton Gallery, Guangzhou, China (2019); “Awkward”, ShanghART M50,  Shanghai, China (2018), “Moments and More”, OCAT Shanghai, Shanghai, China (2017); China America Exchange Exhibition,RULE Gallery, Denvor, United States (2017)




文皆俊杰  Wen Jiejunjie

IT男出身,“误入”艺术圈,在代码和艺术间跌跌碰碰,确信代码也能安放情感,创作总透着理工男的冷静。

A man once majoring in IT, "misentered" the art world. He stumbles between code and art. He believes that the code can also provide a shelter to emotions. His creations always reveal the calmness of science geek.

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共同劳作:番薯公路  

Work Together: Sweet Potato Route
数码打印,特制播放器  
Digital print, custom made player
390×270cm  34×34×7cm  2018


文皆俊杰,1980年出生于湖南永州,2004年毕业于中南大学计算机系,现生活工作于北京和广州。致力于在系统缝隙中投入身体行为和代码行为,挖掘人与计算机相处过程中产生的价值碎片。

文皆俊杰近期个展包括:“IT男之碎片传奇”,希茜的后花园画廊,广州,中国(2019);“绝望的叮咛,明天的明天就是希望”,Fake Project,西安,中国(2019),“文皆俊杰”,要空间,上海,中国(2018);“浏览记录”,广州画廊友和空间,广州,中国(2017);“万科城市花园”,立一空间,广州,中国(2017);“黑夜打印机”,DEHAIRI Projects,东京,日本(2016);“邓国皇”,寄居画廊,广州,中国(2016);近期群展包括:“在路上-中国青年艺术家作品提名展”,关山月美术馆,深圳,中国(2019);艺术扎营:深圳(坪山)公共艺术季,坪山美术馆,深圳,中国(2019);“尴尬”,香格纳画廊,上海,中国(2018);第七届济南国际摄影双年展,山东工艺美术学院美术馆,济南,中国(2018);“纸本-设色”,中间美术馆,北京,中国(2018);“大健身——AMNUA国际计划叁”,南京艺术学院美术馆,南京,中国(2018);“低复线叙事”,21空间美术馆,东莞,中国(2018);“边山村”,寄居画廊,深圳,中国(2017);“陈拍岸、黄山、赖志杰、黎卓華、文俊杰”,广州画廊,广州,中国(2017)

Wen Jiejunjie was born in Yongzhou, China in 1980, a graduate of the Computer Department of Central South University since 2004, he now lives and works in Beijing and Guangzhou, China. He's dedicated to working body actions and code actions into the gap of the system, and to excavating value fragments produced in the process of human getting along with computer.

Recently exhibitions: “IT Man’s Legend of Fragment”, Sissi’s Back Garden Art Gallery, Guangzhou, China (2019);“Hopeless Exhort, Tomorrow’s Tomorrow is Hope”, Fake Project, XI’an, China (2019); “Wen Jiejunjie”, Yell Space, Shanghai, China (2018); “Browsing History” (YH Space by Canton Gallery, Guangzhou, China, (2017); “City Garden of Vanke", Liyi Space, Guangzhou, China,(2017); “Printer of Night”, DEHAIRI Projects, Tokyo, Japan, (2016); “Deng Guohuang”, JiJu Gallery, Guangzhou, China, (2016); group exhibition include: “On the Road”, Guan Shanyue Art Meseum, Shenzhen, China (2019); “Art Camp”, Pingshan Art Museum, Shenzhen, China (2019); “Awkward”, ShanghART Gallery, Shanghai, China (2018); The 7th Jinan International Photography Biennial, Art Museum of Shandong University of Art & Design, Jinan, China (2018); “Stacks of Paper, Riot of Color: The Politics of Taste”, Inside-Out Art Museum, Beijing, China (2018); “Big Workout---AMNUA International Project III”, Art Museum of Nanjing University of the Arts, Nanjing, China (2018); “The Low Bifurcated Narrative”, 21 Space Art Museum, Dongguan, China (2018); “Bianshan Village”, Jiju Gallery, Shenzhen, China (2017); “Chen Pai’an, Huang Shan, Lai Zhijie, Lai Cheuk Wah, Wen Junjie” Canton Gallery, Guangzhou, China (2017)




杨洋  Yang Yang

信仰和艺术让他不断沉淀,从容地活着,专研所好,使他练就出细腻细腻的感知,往往是我们忽视的细枝末节。

Grows and develops with beliefs and art. Living calmly and studying hard for what he likes contributes to his delicate perception which is often the minutiae we ignore.

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你好  Hello

水泥,石头,树叶,木料  Cement, stone, leaf, wood
尺寸可变  Variable size  2020


杨洋,1993年生于中国内蒙古,2013年肄业于云南艺术学院。他这样描述自己的创作:“在我创作的过程中因个人成长环境的地域性影响产生了某些本能反应地敏感,多数的由来都是在生活中各种相遇得到的启发。来自本能对生活的反馈。社会与宗教身份的审视、图示的消解与转换、无用的劳作。不言而喻也缺少了一些给予理性的思考赋予作品某种定义,况且年轻的生命经验又能有多少经得住推敲沉淀,反而也是在于这种阶段的状况中它在生命里已是那么独一⽆二。”

曾参与展览“卡拉卡拉大浴场”,广州画廊,广州(2019),“广州美术学院美术馆游戏:关于艺术的研究之模拟人生”,广州美术学院,广州,中国(2016),并入围2016 IMFW 内蒙古青年电影周纪录片短片单元。


Yang Yang was born in Inner Mongolia, China, in 1993. Drop out from Yunnan Art College in 2013. He describes his creation as: "In the process of my creation, due to the regional influence of my personal growth environment, I had some instinctive sensitiveness. Most of the origins were inspired by various encounters in life and instinctive feedback about life, by examination of social and religious identities, deconstruction and transformation of images, and invalid labor. It is obvious that I also have a missing of some rational thinking and definition of works. Furthermore, few life experiences of young people can stand the scrutiny and precipitation, but it is in this state of phase it has become so unique in its life."

Participated in the exhibition “Bath of Caracalla”, Canton Gallery, Guangzhou, China (2019), "Art Museum Game of Guangzhou Academy of Fine Arts: Simulated Life of Art Research", Guangzhou Academy of Fine Arts, Guangzhou, China (2016), and shortlisted in IMFW Inner Mongolia Youth Film Week Documentary Short Film Unit in 2016.







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OCAT欢乐海岸展区・盒子空间成立于2015年,由深圳华侨城当代艺术中心(简称OCAT)出资建设,广州美术学院油画系策划组运营管理,中山大学艺术与文化创新研究发展中心为顾问的非营利公益性艺术机构。空间位于深圳华侨城欢乐海岸购物中心。由主展厅与17个可移动的副展厅构成。副展厅是白色可移动盒子状空间,主展厅则是由顶层商铺改造的一个更大的“盒子”。


盒子空间开创的新型艺术展览模式,使得艺术呈现并没有因为商业而虚弱其意义,反而变得更加坚定,具有突破性,是当代艺术实验介入商业空间的勇敢尝试。

Established in 2015, OCAT Shenzhen OCT Harbour Exhibition Site·Boxes Art Space is a non-profit public benefit organization built and financed by Shenzhen Overseas Chinese Town-Contemporary Art Terminal (OCAT for short), operated and managed by The Oil Painting Department Curatorial Group of Guangzhou Academy of Fine Arts, and consulting with Institute of Art and culture Innovation Research and Development Center of Sun Yat-sen University. Located in Shenzhen OCT-Harbour Shopping Center, Boxes art space is consisted of the main exhibition hall and 17 mobilable boxes as the auxiliary exhibition space. The auxiliary exhibition space is constituted by large white boxes scattering in the shopping mall, and the main exhibition hall is a bigger box which is redecorated from a shop on the top floor.

The significance of the Boxes Art Space is to open up a new model for the art exhibition that Boxes Art Space, in which the artistic representation is not weakened by the commercial activity, but becomes even more firm, with its breakthrough feature.It is a courageous experiment to input contemporary art in the commercial space.