展讯Notice

 

1.jpg



CLEAN

策展  Curate  

Sherry Lai

展期  Duration  

2020.4.18-5.17

地址  Address

SPURS Gallery

北京798艺术区D-06号

D-06, 798 Art Zone, 2 Jiuxianqiao Rd, Chaoyang District, Beijing


白乂乂、陈丹笛子、陈劭雄、陈彧君、方璐、冯国东、冯梦波、龚剑、郭海强、何云昌、侯子超、黄锐、计洲、蒋竹韵、李怒、廖国核、罗庆珉、欧劲、潘望舒、彭可、蒲英玮、邱岸雄、宋琨、孙毅、孙一钿、铁鹰、王加加、王卫、王晓曲、邬建安、谢其、邢丹文、薛峰、颜磊、杨伯都、杨勋、叶凌瀚、袁可如、张辽源、张培力、张伟、郑路、周岩共


Bai Yiyi, Chen Dandizi, Chen Shaoxiong, Chen Yujun, Fang Lu, Feng Guodong, Feng Mengbo, Gong Jian, Guo Haiqiang, He Yunchang, Hou Zichao, Huang Rui, Ji Zhou, Jiang Zhuyun, Li Nu, Liao Guohe, Luo Qingmin, Ou Jin, Pan Wangshu, Peng Ke, Pu Yingwei, Qiu Anxiong, Song Kun, Sun Yi, Sun Yitian, Tie Ying, Wang Jiajia, Wang Wei, Wang Xiaoqu, Wu Jian'an, Xie Qi, Xing Danwen, Xue Feng, Yan Lei, Yang Bodu, Yang Xun, Ye Linghan, Yuan Keru, Zhang Liaoyuan, Zhang Peili, Zhang Wei, Zheng Lu, Zhou Yan




2.jpg3.jpg

4.jpg

陈丹笛子  Chen Dandizi

六十秒仙境公园 Sixty Seconds of Wonderland Park 

三频录像,彩色,有声

Three-channel video, color, sound

9’45”  2019




关于艺术家


陈丹笛子,1990年生,现工作生活于广州,曾经打算成为一位诗人。2015年毕业于广州美术学院油画系获学士学位。创作涉及录像、装置、摄影及文学。她的近期作品探讨的是在与自然或人工的日常现象偶然遭遇时的感知和体验,其中不乏疏离的人类情感,以及希望通过对自然的观察和想象来获取疏离之外的宽慰。在她那里,文本阅读、自我认知以及对于这个区域环境与氛围的观测之间产生了难以捕捉的隐秘联系,如其所言:“一切皆有意义”。

陈丹笛子近年的个展/双个展有:“深深的宿醉”, 广州画廊,中国广州(2018),“浮生手记”,胶囊上海,中国上海(2016); 部分群展:“土星照命”,香格纳M50,中国上海(2020);连州国际摄影年展,中国连州(2019),“塑性记忆:来自中国的当代录像艺术”,匹斯堡大学美术馆,美国(2019),“85后的八五——中国当代艺术新世代”,北京当代艺术展,中国北京(2019),“‘我’的风景”,常青画廊,中国北京(2018),西岸艺术与设计博览会,西岸艺术中心,中国上海(2018),“黯恋”,Para Site艺术空间,中国香港(2018),“当代缪斯”,Modern Art Base,中国上海(2017),中国女性艺术家录像艺术节,墨西哥国家文化数字中心和克雷塔罗市博物馆,墨西哥(2017)等。


About Artist


Chen Dandizi, born in 1990, currently based in Guangzhou, and once intended to be a poet. Graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015 with a bachelor's degree. Creation involves video, installation, photography and literature. Her recent works explore the perception and experience of encounters with the daily phenomenon of natural or artificial, including alienation of human emotion, and hope to get the consolation out of alienated by the  observation and imagination of nature. In her case, text reading, self-knowledge, and observation of the environment and atmosphere in the region create a hidden connection that is difficult to capture, as it says: "everything makes sense."

Chen Dandizi's recently solo exhibition includes: “A Severe Hangover”, Canton Gallery, Guangzhou, China (2018); “Fleeting Memories & Written Notes”, Capsule Shanghai Shanghai, China (2016). Selected Group Exhibitions: “Under the Sign of Saturn”, ShanghART M50, Shanghai, China (2020); Lianzhou Foto Festival 2019, Lianzhou, China (2019); “Materializing Memory: Contemporary Video Art From China”, University Art Gallery Frick Fine Arts Building University of Pittsburgh, America (2019); “Story:Born After The’85 New Wave Generation Y of Contemporary Chinese Art”, Beijing Contemporary Art Expo, Beijing, China (2019); “Inner Scapes”, Galleria continua, Beijing, China (2018); Shanghai West Bund Art & Design, West Bund Art Center, Shanghai (2018); “Crush”, Para Site, Hong Kong (2018); “The Modern Look (Part 1)”, Shanghai Modern Art Base, Shanghai, China (2017); Chinese Video Artists Festival , Mexico national culture Digital Center and Museum of Arts of Querétaro, Mexico (2017).




5.jpg


画廊取“马刺”之意,旨在传达一种锐意创新敢为人先的态度,以激励社会的文化反思与文化自信为责任。画廊将继续义无反顾地支持艺术家的创作与推广,为艺术家提供实现创造力的国际平台;同时积极投身与藏家、策展人及机构的合作,开启中国前沿艺术与西方立场之间的对话,推动中国艺术市场的良性发展,以建立、解放并持续影响中国当代艺术发展为使命。2020年,SPURS Gallery 在不改变原画廊既有艺术家阵营及核心运营团队的基础上,以全新的理念与崭新的面貌再次出发,以期开拓更为广阔的前景。