展讯Notice

 


五条人乐队海报展

Wu Tiao Ren Poster Exhibition

特别鸣谢 Special thanks:摩登天空  Modern Sky

展期 Duration:2017.5.6-5.20

开幕 Opening:2017.5.6  3:00pm

地址 Address:广州市海珠区怡乐路51号金乐大厦写字楼3楼307室

Yile Road No.51, Jinle Building Fl.3rd, Rm307, Haizhu District, Guangzhou



五条人乐队  Wu Tiao Ren五条人乐队 Wu Tiao Ren


五条人乐队。来自广东,主要成员有仁科、茂涛、邓博宇、于典。 2009年7月发行第一张民谣专辑《县城记》,凭此唱片,五条人荣获该年度中国“华语传媒音乐大奖/最佳民谣艺人”、《南方周末》年度致敬音乐大奖”等7个音乐奖项。2012年5月发行双CD唱片《一些风景》后,受到众多音乐评论家的高度好评,次年获得第十三届华语传媒音乐大奖“最佳乐队及最佳民谣艺人”。2015年发行《广东姑娘》,荣获台湾第六届“金音奖”等奖项。2016年12月推出最新唱片《梦幻丽莎发廊》,次年荣获阿比鹿音乐奖“年度民谣唱片”。五条人的音乐创作取材于现实生活、新闻事件、民间传说。乐曲风格多元,从地方戏曲、港台流行歌、民族音乐、西方摇滚、街头卖艺中吸取养分。不断尝试打破一些常规,去拓宽歌曲的可能性。


Wu Tiao Ren is a band from Haifeng, its main members being Ren Ke, Mao Tao, Deng Boyu and Yu Dian. In July 2009, they released the first album “A Tale of Haifeng” that received several musical awards, including “the Best Folk Musician” by the Chinese Media Music Awards, “Honorary Music Award” bySouthern Weekly, etc. In May 2012, the band released their 2-CD album “Some Scenery” that has been highly complimented on and appreciated by many music critics. In the following year, they received the “Best Band” and Best Folk Musician” awards presented by the 13thChinese Media Music Awards. In 2015, Wu Tiao Ren released the album “Canton Girl” that has received several awards, among which was the 6thTaiwan Golden Music Awards. Their latest album “Dreamy Lisa Salon” met the public in Dec. 2016, and has been awarded “Folk Music Album of the Year” by Abilu Music Awards. The music of Wu Tiao Ren has always been inspired by real life conditions, current social events and folklore. They are given to diversified music styles since they are used to learning from various resources, such as local opera, Hong Kong and Taiwan pop music, folk music, western Rock ‘n’ Roll, street singers, and so on. And the band never stops thinking outside the box to explore more possibilities in their musical adventure.



胡镇超  Hu Zhenchao胡镇超 Hu Zhenchao


胡镇超(胡子),2012年毕业于四川美术学院视觉传达系,2014年创办“胡子设计工作室”。2009年开始与五条人乐队合作,这些年与乐队合作完成多款海报、宣传片、专辑、舞台投影视觉等作品。

个人网页:http://cargocollective.com/hzc


Hu Zhenchao (Hu Zi) , 2012 graduated from Visual Communication Design of Sichuan Fine Arts Institute, 2014 founded the "Hu Zi design studio". Cooperate with Wu Tiao Ren since 2009, in charge of designing posters, advertising video, albumn, stage visual effect, etc.

Personal website: http://cargocollective.com/hzc


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“回到海丰”?骑一匹马还是牵一头猪回去?高铁票买了吗?为什么“回到海丰”?回去寻找童年,寻找初恋,寻找乡愁,寻找没有产权的大地?还是把老祖公从土地里一把揪出来,一起对酒当歌?


海报是一种招魂仪式。最近两年的五条人“回到海丰”音乐会都因不可抗力而取消,但海报却永远留下来,为不存在的、未发生的音乐会,守灵,超度。


为什么是梦幻丽莎发廊?因为五条人就是一场亚热带南方湿漉漉的、浓得化不开的春梦,每个五条人的设计师——不管是专业的还是业余的——都深陷其中不愿醒来,都想成为梦中的另一条新人。


都想以五条人的名义,怪力乱神。


文/张晓舟


“Back to Haifeng?” By riding a horse or taking a pig? Have already bought the train tickets? Why “Back to Haifeng?” Seeking for first love, nostalgia, or land without property right? Perhaps pull out the ancestor from the earth, party with him?


Posters are a form of evocation. Recently the Wu Tiao Ren “Back to Haifeng Live” cancel by some irresistible reason, but posters stay forever, guards for the non-existent, un-occurred concert.


Why Dreamy Lisa Salon? Cause Wu Tiao Ren is a condensed southern subtropical wet dream, every designer works for Wu Tiao Ren——no matter professional or amateur——don’t want to wake up from it, and become a new person in the dream.


And they all want to messing around, under the name of Wu Tiao Ren.

Text / Zhang Xiaozhou



两年前,仁科和阿茂曾把他们刚录制好的歌曲让我听,看看能不能拍个MV。最后我还是决定把我剪辑过的现有素材给他们,让他们按照自己的想象来配上音乐作为现场音乐的影像背景。他们的剪辑版我是在音乐现场才第一次看到,非常喜欢,因为它为影像带来了新的张力和不同的解读。最近有人批评五条人的野性随着成功和离开本土而逐渐丧失了,我认为他们的野性是天生的,而且也正是这种野性驱使他们离开海丰到外面流浪以寻求更大的天地。如何继续挑战,我想所有艺术家都会碰到同样的问题。如果他们比以前多点钱了,那是好事,下次我们一起吃饭就不要AA了。

文/黄小鹏


Two years ago, Ren Ke and Mao brought in front of me their new recording to see if I could shoot a MV out of that. Eventually I decided to give them some of my edited videos so that they could take the liberty to use them to create background visual effects during live performance. I didn't get to see how this turned out until I went to their concert, and I was very much pleased because their music has brought brand-new vitality and a different interpretation to my videos. Recently, there has been some criticisms regarding their untamed spirit in music, which, accordingly, seems to gradually fade away as they’ve become successful and further away from their roots. From my perspective, their untamed musical spirit stems from their instincts, which is also the exact reason that drove them away from Haifeng and into the big wild jungle out there. I believe that all artists are confronted with the same problem, that is, how to create more challenges. Or could this whole discussion be about their being better-off than before? Fine! Good for them! Let’s go Dutch when we dine together next time. 

Text / Huang Xiaopeng