卡拉卡拉大浴场 Baths of Caracalla
郭城 Guo Cheng
孙文浩 Sun Wenhao
杨洋 Yang Yang
2019.03.16 (周六 SAT) 15:30
2019.03.16 - 2019.04.20
Rm102, building No.10, Quantang Rd. No.38, Haizhu Dist., Guangzhou, China
Deep-incredibly deep, cool things gather and form a good show! The Bath of Caracalla in Ancient Rome is really a good show! “Mysophobia” is a common character of these artists.
Everyday people crowded the Bath of Caracalla. Many strange things happened on the people here who desperately cleaned themselves. Turning right from the hall there was a pavilion where people dressed and undressed. A foreigner named G was trying to dig a deep pit of one square meter. The people after the bath were very surprised when they passed him. Three months later a citizen no longer resisted his curiosity. He bowed and asked G what he’s doing there. G answered: “I am looking for the path that no one has ever passed. We will achieve happiness whatever the weather is!”
Heading from the dressing room there were two big gyms around the colonnade. Roman citizen S knocked the wall heavily with his hammer every day. The marble columns turned up one by one from the huge wall. People asked S what he was doing, and S answered the goddess could not stand any stains so he lifted her up to the sky.
And then there was the swimming pool, and heading right there was a large library separated from the middle. There were always some Roman citizens who hated knowledge hiding a stone in their pockets, and they would smash the books with full strength when no one noticed. But it doesn’t matter. Citizen Y would stick and fix them voluntarily. One time a scholar said to Y: “You are really a loyal servant of wisdom.”Y said, “I have to admit that I don’t know a single word, but broken things always make me sick!”
In ancient Roman people were unfriendly to their armpit hair and always wanted to remove them. Due to the undeveloped technology, every time beauticians pulled up the armpit hair, a scream always burst out. Unexpectedly, the screams attracted many customers for the beauticians. Therefore, they came up with inspiration and turned the screams into an idea to attract customs. When they were free, they would scream constantly, trying to let everyone know their identities and business, or made people think their business was popular.
Welcome you very much to join the cold bath, warm bath and hot bath here. It will be a luxurious and interesting enjoyment to have one more sauna! Baths of Caracalla will make you love cleanness more and more!
关于艺术家 About Artists
郭城，1988年生于中国北京，先后获得上海同济大学工业设计工学学士 (BE)与英国皇家艺术学院Design Products文学硕士 (MA)，目前生活工作于上海。他的作品大多关注主流或新兴科技对社会与文化方面的冲击与影响，以及置身其中的个体与社会生活之间的关系。
郭城曾参加过的展览有：机器不孤单：机器三部曲 (新时线媒体艺术中心，上海，2018)、时间的狂喜(何香凝美术馆，深圳，2017)、GAMERZ II 电子艺术节 (法国，2015)、Y时代之歌 (OCAT上海，2015)、想象身体边界 (数位艺术中心，台北，2015)、STRP双年展 (埃因霍温，2013)等。曾获得BadAward (荷兰，2017)、Gijs Bakker Awards (合作项目，荷兰，2016)，台北艺术自由日评委奖。
杨洋，1993年生于中国内蒙古，2013年肄业于云南艺术学院。他这样描述自己的创作：“在我创作的过程中因个人成长环境的地域性影响产生了某些本能反应地敏感，多数的由来都是在生活中各种相遇得到的启发。来自本能对生活的反馈。社会与宗教身份的审视、图示的消解与转换、无用的劳作。不言而喻也缺少了一些给予理性的思考赋予作品某种定义，况且年轻的生命经验又能有多少经得住推敲沉淀，反而也是在于这种阶段的状况中它在生命里已是那么独一⽆二。”曾参与展览“广州美术学院美术馆游戏：关于艺术的研究之模拟人生”，广州美术学院，广州，中国（2016），并入围2016 IMFW 内蒙古青年电影周纪录片短片单元。
Guo Cheng was born in Beijing, China, in 1988. He was graduated from MA Design Products at Royal College of Art (London, UK) and obtained his BE in Industrial Design at Tongji University(Shanghai, China). Currently based in Shanghai. His practice mainly focuses on exploring the interrelation between mainstream/emerging technologies and individuals under the context of culture and social life.
His works were exhibited at Machines Are Not Alone: A Mechanic Trilogy (Chronus Art Center, Shanghai, 2018), The Ecstasy of Time (HE Xiangning Art Museum, Shenzhen,2017), GAMERZ 11(Aix-en-Provence, France, 2015), The Ballad of Generation Y (OCAT Shanghai, 2015), Imaginary Body Boundary (Digital Art Center, Taipei, 2015), STRP Biennial (Eindhoven, 2013), etc. He was the winner of BADaward(The Netherlands, 2017). His work "An Apophanous Overfitting”(a part of the collective project Tulip Pyramid - A Project of Copy and Identity) won Gijs Bakker Awards(The Netherlands, 2016).
Sun Wenhao was born in Nanyang, China, in 1987. Enrolled in the oil department of GAFA in 2008, currently based in Guangzhou. Sun’s artworks refer to his ordinary living experience, daily news, and a Chinese most popular social application platform - Wechat Moments, etc. His dramatic and humorous visual language attributes to his poetically agrestic representation, monster-like abstracted form, flatten perspectives, and brilliant color palettes. His artworks also illustrate the voice from artists facing the issues of social class isolation and incredible social pressures in China.
Sun Wenhao’s solo exhibition include: Star Film Company, Yell Space, Shanghai, China (2018), ‘Rentals Make Art A Future' - When Studio Become Gallery, Niwo Space, Guangzhou, China (2018), “Nanting-Guangzhou-Shenzhen-Next Basel”, Canton Gallery + Shenzhen 33 Space, Guangzhou, Shenzhen, China (2017), selection of group exhibition: “Awkward”, ShanghART M50, Shanghai, China (2018), “Moments and More”, OCAT Shanghai, Shanghai, China (2017), China America Exchange Exhibition，RULE Gallery, Denvor, United States (2017)
Yang Yang was born in Inner Mongolia, China, in 1993. Drop out from Yunnan Art College in 2013. He describes his creation as: "In the process of my creation, due to the regional influence of my personal growth environment, I had some instinctive sensitiveness. Most of the origins were inspired by various encounters in life and instinctive feedback about life, by examination of social and religious identities, deconstruction and transformation of images, and invalid labor. It is obvious that I also have a missing of some rational thinking and definition of works. Furthermore, few life experiences of young people can stand the scrutiny and precipitation, but it is in this state of phase it has become so unique in its life."
Participated in the exhibition "Art Museum Game of Guangzhou Academy of Fine Arts: Simulated Life of Art Research", Guangzhou Academy of Fine Arts, Guangzhou, China (2016), and shortlisted in IMFW Inner Mongolia Youth Film Week Documentary Short Film Unit in 2016.
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