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陈丹笛子:深深的宿醉

开幕:2018.03.17 (周六)  15:00

展期:2018.03.17 - 2018.04.28

地址:广州市海珠区怡乐路51号金乐大厦写字楼3楼307室


微醺

事物在闪光之下无处遁形,神秘的真实隐藏于这个世界的山水之后,一路迎接他们的景观仅仅是在几秒之间便接纳了他们。那个收集风景的人和他的飘忽眼神所游过的范围,都让我好奇不止——大概我还仍是一个抒情的人,我厌恶着呆板的城市却不得不忍受着它。


宿醉

想象一片遍布河流的土地,河流像网,正缜密地织着,蒸腾的水汽在空中消耗和转化,植物根茎在地底下交接又在地面枯萎;想象山林瘴气环绕,洞穴幽静,藏匿着未知的生物,养育它们的那条地下河正静悄悄死去。


除却概念所规定的意义外,万物许多偶然的行为看似毫无意义,我却容易深信它们天然具备感情,只是我们不可知。一个局外人,所能做的事情就是永无止境地去想象,这种想象是一种永远无法命名的感知。我想象着自然告知我它的秘密,因为它们的秘密仿佛充斥着魔力,使所有的猜度及幻想如枝叶繁茂般生长,也使我在随之而来的醉意里不能自拔。


循环往复

人们相信瘴气来自当地动植物腐烂所形成的沉积物,并如晨雾般散发开来。万事万物在自然中循环往复,此刻若已转瞬即逝了,又见它立即进入下一刻的形态,我们都知道,并不会有什么新造之物。如果自然是混沌的,那么自然也充满了未知的可探性,如果自然和自然史一样清晰,那么它们都会在时间中渐渐逝去:即使精心呵护也是一样的结局。



文 / 陈丹笛子


艺术家简介

陈丹笛子,1990年生,现工作生活于广州,曾经打算成为一位诗人。2015年毕业于广州美术学院油画系获学士学位。创作涉及录像、装置、摄影及文学。她的近期作品探讨的是在与自然或人工的日常现象偶然遭遇时的感知和体验,其中不乏疏离的人类情感,以及希望通过对自然的观察和想象来获取疏离之外的宽慰。在她那里,文本阅读、自我认知以及对于这个区域环境与氛围的观测之间产生了难以捕捉的隐秘联系,如其所言:“一切皆有意义”。


陈丹笛子近年的个展有:最大胆冒险者,广东当代艺术中心实验空间,中国,广州 (2016),讨词语的诗人,腾挪空间,中国,广州(2014),部分群展:逆光:双城采样,杨锋艺术与教育基金会,中国,深圳(2017)、当代缪斯,Modern Art Base,上海(2017),首届中国 · 合川钓鱼城国际新媒体艺术节,重棉四厂,重庆(2017),第二届中国女性艺术家录像艺术节,墨西哥国家文化数字中心和克雷塔罗市博物馆,墨西哥,(2017),浮生手记,胶囊空间,中国,上海(2016),OCAT放映:“画内音”,OCAT深圳图书馆,中国,深圳(2016),仅仅在场,广州画廊,中国,广州(2016),中国女性艺术家录像艺术节,墨西哥国家文化数字中心,墨西哥,阿斯卡波察尔科(2015)及城市原点:共享之屋——第六届深港城市/建筑双城双年展,龙岗西埔世居,中国,深圳(2015)等。


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Chen Dandizi: A Severe Hangover

Opening: 2018.03.17 (SAT)  15:00

Duration: 2018.03.17 - 2018.04.28

Address: Yile Road No.51, Jinle Building Fl.3rd, Rm307, Haizhu District, Guangzhou, China


Tipsy

Things cannot hide themselves in the flash. The mysterious reality is concealed behind the mountains and water of this world. The scenery which always welcomes it admits themselves just in a few seconds. It makes me curious of the man collecting scenery and the limit his uncertain eyes have swept---- maybe I am still an emotional person who is hating the boring city but has to stand it.


Hangover

Imaging a land is covered with rivers like a web meticulously woven; the rising vapor is consumed and transforms themselves in the air; the roots of plants connect each other and wither on the earth. Imaging the forest is haunted by the miasma; the silent and secluded cave conceals something unknown while the subterranean river who rears them is dying quietly.

Except for the meaning fixed by the concept, I believe easily all things are endowed with sentiment that most of us don’t know though many occasional behaviors of them seem to be totally meaningless. The only thing an outsider can do is to imagine endlessly, which is a perception we can never name. I try to imagine the nature is telling me its secrets, the secrets that are full of magic, propelling all guesses and fantasy to grow like luxuriant foliage, drowning me in the following feeling of getting drunk. 


Moving in circles

People believe that the miasma comes from the deposit formed after the decay of local animals and plants. It spreads like a mist in the morning. All things cycle in the nature. If they disappear in a twinkle at the moment, they would move into the next state in an instant, in which we all know there wouldn’t be anything new born. If nature is in a chaos, it is brimming with unknown mysteries waiting to be explored; if nature is as clear as nature history, then they will pass away gradually in the time even they are taken good care of.  



— Chen Dandizi


About Artist

Chen Dandizi, born in 1990, currently based in Guangzhou, and once intended to be a poet. Graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015 with a bachelor's degree. Creation involves video, installation, photography and literature. Her recent works explore the perception and experience of encounters with the daily phenomenon of natural or artificial, including alienation of human emotion, and hope to get the consolation out of alienated by the  observation and imagination of nature. In her case, text reading, self-knowledge, and observation of the environment and atmosphere in the region create a hidden connection that is difficult to capture, as it says: "everything makes sense."


Chen Dandizi's recently solo exhibition includes: "The Most Daring Venture", Guangdong Contemporary Art Centre, Guangzhou, China (2016), "A poet who begs for words", Sabaki Space, Guangzhou, China (2014). Selected Group Exhibitions: “Against the Light: Sampling in Two Cities”, FY Foundation: You Space,  Shenzhen, China (2017), The Modern Look (Part 1), Shanghai Modern Art Base, Shanghai, China (2017), The 1st Fishing Town International New Media Art Festival (Hechuan · China) Introduction and Application Form, Former Chongqing Cotton Mill IV, Chongqing, China (2017), ~ 2° Festival De Videoarte De Artistas Chinas En La Mexico, Mexico national culture Digital Center (Centro de Cultura Digital and Jardín Hidalgo,  Azcapotcalco), Mexico (2017), Fleeting Memories & Written Notes, Capsule Gallery, Shanghai, China (2016), OCAT Screens: “Rhythm Analysis”, OCAT-Library, Shenzhen, China (2016), Mere Existence, Canton Gallery, Guangzhou, China (2016), Festival De Videoarte De Artistas Chinas En La Mexico, Mexico national culture digital center (Centro de Cultura Digital and Jardín Hidalgo, Azcapotcalco), Mexico (2015), Re-Living the City (Affiliated exhibition: Co-Living)—Bi-Ctiy Biennale of Urbanism/Architecture, Xipu new residence in Longgang district, Shenzhen, China (2015).